Apple

Review: Apple’s original podcast ‘The Line’ is a storytelling tour de force

There are three kinds of people in this world, narrator Dan Taberski tells us in the opening episode of Apple’s original podcast The Line — a gripping, six-part audio series that follows the story of US Navy SEAL Eddie Gallagher, who was charged with war crimes back in 2018. It’s a podcast series that I…

There are three kinds of people in this world, narrator Dan Taberski tells us in the opening episode of Apple’s original podcast The Line — a gripping, six-part audio series that follows the story of US Navy SEAL Eddie Gallagher, who was charged with war crimes back in 2018. It’s a podcast series that I initially resisted, or rather glossed over, thinking it was one thing, until I realized it was something completely different. And that it would keep me manically racing through each episode straight to the finale, which arrives on Tuesday, and promises some major twists, according to Taberski.

But I’m getting ahead of myself. There are supposedly three kinds of people in the world, he tells listeners of The Line: Sheep, wolves, and sheepdogs. That, we’re told, is a basic philosophy of the SEALs, those jacked, tough, intense, super-soldiers we mostly know from movies and from news accounts tied to some daring feat, like the raid in 2011 during which a group of SEALs finally tracked down and killed Osama bin Laden. Or when they stand accused of doing something awful, as in the case of Gallagher. “The sheep are me, and probably you,” Taberski explains. “Regular people, just living our lives. The wolves, they’re the bad guys. Who want nothing more than to kill us sheep.” And then there are the sheepdogs. The sheepdogs also like to kill. But they like to kill wolves, in order to protect the sheep. “Sheepdogs are a little bit scary, a little bit aggro,” Taberski continues. “But they’re honorable. And necessary.” And thus begins our fascinating trip down the rabbit hole of warrior culture, in the form of a podcast that tries to understand and grapple with the implications of what it means to turn men into something even scarier than killers. Namely, the kind of warriors who never quit in service of the mission, and who never, ever stop. Even if it means stepping up to and over, well, “The Line.”

Here’s what I mean when I say I initially resisted the podcast. I, like probably many of you, was aware of the Gallagher story on the periphery, via news accounts from a few years ago that made the whole thing seem cut-and-dry. Navy SEAL is charged with a litany of offenses. Somebody says there’s a video showing him stabbing a prisoner? Yep, sounds like a war crime to me. Likewise, the pop culture narratives along these lines in movies and the like have tended to feel pretty predictable. Thankfully, though, there wasn’t any cheesy “You can’t handle the truth!” pablum in this Apple original podcast. It is, in fact, much more of a tour de force of narrative storytelling, of the sort that might even leave you completely befuddled and unsure what to think at the end. That’s actually what Taberski told me in a phone conversation this week is what he loves seeing in people’s social media reactions to the podcast.

Because it means people are thinking, and that people are grappling with the complexity of the fog of war. And jettisoning silly claptrap about good guys and bad guys, right and wrong, and a clear, easily definable line that demarcates it all.

I cannot stress this enough — the podcast was strong enough that it hooked me and held my attention to the same degree as any of the strongest TV series you could point to right now, which surprised me. It also surprised me to learn that there are only around 2,500 SEALs. There are high schools with bigger student bodies than that, and with less drama, to boot.

“F–k that, I’m a f–ng lion,” one of the SEALs tells Taberski at one point during the podcast, in relation to that maxim about the three kinds of people in the world. “I’m hunting wolves. I’m not waiting for wolves to hunt me. And every now and then, I’ll eat a sheepdog and a lamb, if it gets in my way …”

And then he slows down, interrupts himself.

“… That’s been my mentality, and I’m trying to tone it down.”

Taberski also spends time, well in advance of squaring the focus on Gallagher and his action, by walking through how it is that soldiers become SEALs in the first place. He details the intense, grueling “hell week” program they’re put through, which is really designed to do one thing: Make as many of them as possible say, “To hell with this,” then ring the bell in the center of camp, and quit. Because contrary to what you might think, the people in charge of looking for men to become SEALs aren’t looking for necessarily the fastest, strongest, toughest, meanest, smartest … or whatever other adjective you want to pick. When you boil it down to the fundamental thing, The Line explains to listeners, the SEALs are looking for guys who just won’t quit or stop.

The podcast then does a fascinating, thought-experiment-kind-of-thing next, where it meshes the preceding introduction with a question about, again, “The Line.” Where is the line, in war? Where should it be? Gallagher was alleged to have murdered an ISIS prisoner. People eventually started asking, okay, wait. Isn’t that what he was sent there to do in the first place? One of the main purposes of a SEAL is to literally kill other people — so are we really saying, killing a person this way is cool, but this other way is a war crime? What differences does it make if the killing happened on or off the battlefield (I’m asking rhetorical questions, of course, to point out the conversation this podcast tries to get you to have with yourself). This also gets into an area that one SEAL described thus in the podcast: Taberski pressed him, while acknowledging all of those points above, about whether there ought to even be a line, and that SEALs shouldn’t just be able to do whatever they want to do because it’s a war, right? The SEAL concedes this point, but only just. Okay, fine, there should be a line — but it should be a “curvy line.”

It’s really thought-provoking stuff. And if this is the kind of thing that Apple has in mind for its original podcast efforts, something the iPhone maker wants to do to increasingly compete against tough podcast rivals like Spotify, then sign me up. The Line, by the way, is meant to be a semi-companion to a forthcoming four-part Apple TV+ docu-series of the same name, which will tell the same story about Gallagher but from different perspectives. Taberski told me that both projects share reporting, but they’re meant to be two standalone things. If you watched and liked the podcast, the thinking is that you’ll want to check out the docu-series this fall on Apple TV+, because it will add more to the story.

From Apple’s official description of the podcast version of The Line, which comes from Jigsaw Productions: “The immersive Apple TV+ original podcast employs exclusive investigative reporting, one-on one interviews with Gallagher and his wife, and extraordinary access to over 50 current and former special operators, giving listeners an inside understanding of the psychological toll on service members embroiled in ceaseless warfare, the secretive culture of the military’s most elite special operations units, and the struggle for justice in the fog of war.”

We should add that this also comes as Apple is preparing to kick its overall podcast game up to 11 starting this month. Apple is rolling out a subscription tier to its heretofore free Podcasts app, which the company’s official announcement explains will allow listeners to “sign up for premium subscriptions that include a variety of benefits curated by creators, such as ad-free listening, access to additional content, and early or exclusive access to new series. Listeners will be able to enjoy premium subscriptions from independent voices and premier studios, including Tenderfoot TV, Pushkin Industries, Radiotopia from PRX, and QCODE, to leading media and entertainment brands, including NPR, The Los Angeles Times, The Athletic, Sony Music Entertainment, and many more.”

Also connected to this effort is the start of Apple creating its own podcasts, like The Line, and also a forthcoming podcast that will tell the story of Siegfried & Roy, the extravagant German-American entertainers whose Las Vegas shows features magic and tigers. At this point, though, I’ll confess: The Line still hasn’t stopped resonating with me. Taberski is a fantastic interviewer, and possess the rare kind of journalistic magic that makes SEAL warriors feel comfortable enough around him to open up. And even to cry.

“I just miss them so much,” one of the SEALs tells Taberski at one point, between tears. “Yeah. I just miss ’em. They were my bros. And f–k, man. We did some f—ng amazing stuff together. That’s why I don’t want to go to the funerals. I choose to think of them as (if) they’re still here.”

The final episode of The Line will be available in the Apple Podcasts app on Tuesday, May 4.
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Apple

South Africans can now buy Apple, Alphabet shares as digital tokens on Luno

From early August, Luno, a cryptocurrency and digital investment platform, will allow its users in South Africa to invest in tokenised stocks and exchange-traded funds (ETFs), making global equities like Apple and Alphabet accessible for as little as R20 ($1.13). The move positions Luno as a multi-asset investment platform and marks what it says is

From early August, Luno, a cryptocurrency and digital investment platform, will allow its users in South Africa to invest in tokenised stocks and exchange-traded funds (ETFs), making global equities like Apple and Alphabet accessible for as little as R20 ($1.13). The move positions Luno as a multi-asset investment platform and marks what it says is a first-of-its-kind offering in South Africa’s fast-evolving financial landscape.

Tokenised stocks are digital representations of real shares, backed 1:1 by actual securities. By enabling access via rands, Luno is removing longstanding barriers such as currency conversion costs, high fees, and trading-hour restrictions for retail investors in emerging markets.

“Until now, access to global financial markets has been locked behind red tape and legacy systems,” said Christo de Wit, Luno’s country manager for South Africa. “With tokenised stocks, we are offering South African investors easy access to global investments any time of the day or night.”

The platform will support over 60 U.S. companies and market indices, including Apple, Alphabet, NVIDIA, and the S&P 500. These tokenised products are made available through partnerships with infrastructure providers like Kraken’s xStocks and Backed Finance, which Luno says will ensure regulatory compliance, secure custody, and alignment with global financial standards.

How Luno tokenised stocks work

Customers can start investing with as little as R20 ($1.13), even in companies like Apple and Google. Instead of paying nearly R4,000 ($226) for a full Apple share, they can buy just a piece. These tokens are digital versions of real stocks, and customers trade them through blockchain. 

“This represents a fundamental shift in how we think about investing,” explained de Wit. “We are not just digitising old processes, we are reimagining what is possible when you combine improved technology with investor needs.”

Launched in 2013, Luno has grown to become one of Africa’s leading crypto exchanges, but now it’s adding tokenised stocks and ETFs. South Africa remains one of the continent’s most active crypto markets. Over 5 million South Africans are estimated to own crypto, with digital asset ownership expected to grow by nearly 8% annually through 2031.

Luno competes with platforms like VALR, Binance, AltcoinTrader, and wealthtech apps like EasyEquities and Satrix that focus mainly on traditional stocks and ETFs. 

Still, the expansion into tokenised equities could bring Luno under closer scrutiny. As digital tokens backed by real-world financial instruments, these offerings may fall within capital market regulations, including investor protection and transparency requirements. South Africa’s Financial Sector Conduct Authority (FSCA) is already in the process of licencing crypto asset providers and building a clearer framework for digital securities.

Mark your calendars! Moonshot by TechCabal is back in Lagos on October 15–16! Join Africa’s top founders, creatives & tech leaders for 2 days of keynotes, mixers & future-forward ideas. Early bird tickets now 20% off—don’t snooze! moonshot.techcabal.com

Sakhile Dube Associate Reporter

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Crypto summer on 1xBet: iPhone 16 Pro Max, Samsung Galaxy S24 Ultra, Apple Watch Ultra 2 and other gadgets in the draw

Updated 18 July 2025 at 10:54 IST The rapid pace of cryptocurrency adoption has a significant impact on our daily lives. While in 2010, paying for two pizzas with bitcoins was a meme within the geek community, today you can use digital coins in online stores like Gucci, Balenciaga, and Shopify, as well as deposit

Updated 18 July 2025 at 10:54 IST The rapid pace of cryptocurrency adoption has a significant impact on our daily lives. While in 2010, paying for two pizzas with bitcoins was a meme within the geek community, today you can use digital coins in online stores like Gucci, Balenciaga, and Shopify, as well as deposit
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House Republicans on Monday night voted against attaching a Democratic amendment to landmark cryptocurrency legislation that would force the Justice Department to release the Jeffrey Epstein files.Why it matters: It’s the outcome Democrats anticipated, and one they plan to gleefully cite as President Trump continues to grapple with the MAGA fallout over the DOJ’s handling of the documents.”The question with Epstein is: Whose side are you on?” Rep…
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Microsoft trolls Apple’s new Liquid Glass UI for looking like Windows Vista

Some of Microsoft’s social media accounts recently poked fun at the upcoming “Liquid Glass” user interface design language Apple unveiled at WWDC this week. Although the Cupertino giant has hailed the update as a major innovation, many immediately began comparing it to Microsoft’s nearly two-decade-old Windows Vista UI.Read Entire Article…

Some of Microsoft’s social media accounts recently poked fun at the upcoming “Liquid Glass” user interface design language Apple unveiled at WWDC this week. Although the Cupertino giant has hailed the update as a major innovation, many immediately began comparing it to Microsoft’s nearly two-decade-old Windows Vista UI.Read Entire Article…
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